Who dated Orson Welles?

George Orson Welles (May 6, 1915 – October 10, 1985) was an American director, actor, writer, producer, and magician who is remembered for his innovative work in film, radio, and theatre. He is considered among the greatest and most influential filmmakers of all time.

Aged 21, Welles directed high-profile stage productions for the Federal Theatre Project in New York City—starting with a celebrated 1936 adaptation of Macbeth with an African-American cast, and ending with the political musical The Cradle Will Rock in 1937. He and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented productions on Broadway through 1941, including a modern, politically charged Caesar (1937). In 1938, his radio anthology series The Mercury Theatre on the Air gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel The War of the Worlds, which caused some listeners to believe a Martian invasion was occurring. The event rocketed the 23-year-old to notoriety.

His first film was Citizen Kane (1941), which he co-wrote, produced, directed and starred in as the title character, Charles Foster Kane. Cecilia Ager, reviewing it in PM Magazine, wrote: "Seeing it, it's as if you never really saw a movie before." It has been consistently ranked as one of the greatest films ever made. He directed twelve other features, the most acclaimed of which include The Magnificent Ambersons (1942), Othello (1951), Touch of Evil (1958), The Trial (1962), and Chimes at Midnight (1966). Welles also acted in other directors' films, playing Rochester in Jane Eyre (1943), Harry Lime in The Third Man (1949), and Cardinal Wolsey in A Man for All Seasons (1966).

His distinctive directorial style featured layered and nonlinear narrative forms, dramatic lighting, unusual camera angles, sound techniques borrowed from radio, deep focus shots and long takes. He has been praised as "the ultimate auteur". Welles was an outsider to the studio system and struggled for creative control on his projects early on with the major film studios in Hollywood and later with a variety of independent financiers across Europe, where he spent most of his career. Welles received an Academy Award and three Grammy Awards among other honors such as the Golden Lion in 1947, the Palme D'Or in 1952, the Academy Honorary Award in 1970, the AFI Life Achievement Award in 1975, and the British Film Institute Fellowship in 1983. British Film Institute polls among directors and critics in 2002 voted him the greatest film director ever. In 2018, he was included in the list of the greatest Hollywood actors of all time by The Daily Telegraph. Micheál Mac Liammóir, who worked with the 16-year-old Welles on the stage in Dublin and played Iago in his film Othello (1951), wrote that "Orson's courage, like everything else about him, imagination, egotism, generosity, ruthlessness, forbearance, impatience, sensitivity, grossness and vision is magnificently out of proportion."

Oja Kodar ( OY-ə KOH-dar; born Olga Palinkaš; 1941) is a Croatian actress, screenwriter and director known as Orson Welles's romantic partner and mistress during the later years of his life.

María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (Spanish pronunciation: [doˈloɾes del ˈri.o]), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era.

After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles in a string of successful films, including Resurrection (1927), Ramona (1928) and Evangeline (1929). Del Río came to be considered a sort of feminine version of Rudolph Valentino, a ‘female Latin Lover’, in her years during the American silent era.

With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and romantic dramas. Her most successful films of that decade include Bird of Paradise (1932), Flying Down to Rio (1933) and Madame Du Barry (1934). In the early 1940s, when her Hollywood career began to decline, Del Río returned to Mexico and joined the Mexican film industry, which at that time was at its peak, during the Golden Age of Mexican Cinema.

When Del Río returned to her native country, she became one of the more important stars of the Golden Age of Mexican cinema. A series of Mexican films starring Del Rio are considered classic masterpieces and helped boost Mexican cinema worldwide. Of them stands out the critically acclaimed María Candelaria (1943). Del Río remained active mainly in Mexican films throughout the 1950s. In 1960 she returned to Hollywood. During the next years she appeared in Mexican and American films. From the late 1950s until the early 1970s she also successfully ventured into theater in Mexico and appeared in some American TV series.

Del Río is considered a quintessential representation of the female face of Mexico in the world.