Who dated Natalie Clifford Barney?
Romaine Brooks dated Natalie Clifford Barney from ? to ?
Natalie Clifford Barney
Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American playwright, poet and novelist who lived as an expatriate in Paris.
Barney's salon was held at her home at 20 rue Jacob in Paris' Left Bank for more than 60 years and brought together writers and artists from around the world, including many leading figures in French literature along with American and British Modernists of the Lost Generation. She worked to promote writing by women and formed a "Women's Academy" (L'Académie des Femmes) in response to the all-male French Academy while also giving support and inspiration to male writers from Remy de Gourmont to Truman Capote.
She was openly lesbian and began publishing love poems to women under her own name as early as 1900, considering scandal as "the best way of getting rid of nuisances" (meaning heterosexual attention from young males). In her writings she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and dancer Armen Ohanian and a 50-year relationship with painter Romaine Brooks. Her life and love affairs served as inspiration for many novels, ranging from the salacious French bestseller Sapphic Idyll to The Well of Loneliness, the most famous lesbian novel of the twentieth century.Read more...
Romaine Brooks (born Beatrice Romaine Goddard; May 1, 1874 – December 7, 1970) was an American painter who worked mostly in Paris and Capri. She specialized in portraiture and used a subdued tonal palette keyed to the color gray. Brooks ignored contemporary artistic trends such as Cubism and Fauvism, drawing on her own original aesthetic inspired by the works of Charles Conder, Walter Sickert, and James McNeill Whistler. Her subjects ranged from anonymous models to titled aristocrats. She is best known for her images of women in androgynous or masculine dress, including her self-portrait of 1923, which is her most widely reproduced work.
Brooks had an unhappy childhood after her alcoholic father abandoned the family; her mother was emotionally abusive and her brother mentally ill. By her own account, her childhood cast a shadow over her whole life. She spent several years in Italy and France as a poor art student, then inherited a fortune upon her mother's death in 1902. Wealth gave her the freedom to choose her own subjects. She often painted people close to her, such as the Italian writer and politician Gabriele D'Annunzio, the Russian dancer Ida Rubinstein, and her partner of more than 50 years, the writer Natalie Barney.
Although she lived until 1970, it is erroneously believed that she painted very little after 1925 despite evidence to the contrary. She made a series of drawings during the 1930s, using an "unpremeditated" techniques predating automatic drawing. She spent time in New York City in the mid 1930s, completing portraits of Carl Van Vechten and Muriel Draper. Many of her works are unaccounted for, but photographic reproductions attest to her ongoing artwork. It is thought to have culminated in her 1961 portrait of Duke Uberto Strozzi.Read more...